When I first read Philip Larkin's verse, somewhere in the early 80's, it struck a deep chord inside me. I made an immediate connection with both the way he saw the world and the manner in which he said it. Larkin is not everyone's cup of tea, of course. His pessimistic take on reality (tempered by a certain reluctant joy) will not impress young 'the world is my oyster' squad. But they are not likely to be reading poetry anyway.
I don't always agree with Larkin and what he thinks about life, even though I understand why he does. I was reading, by way of example, Aubade, on a recent 2RPH program, which is a marvellous poem. Larkin was an atheist, or at least an agnostic, so for him Christianity is
'..the vast moth-eaten musical brocade/Created to pretend we never die.'
It's a brilliant metaphor, so visual, but only true if you are without faith. I can appreciate the skill, even the idea, but still respectfully disagree. Written 20 years earlier, Church Going (one of my favourite poems), talks of a time when 'superstition, like belief, must die' and 'what remains' is but 'grass, weedy pavement, brambles, buttress, sky.' The juice has gone from the fruit, leaving only a crumpled skin.
It's very tempting to take this position - all that is is purely material - but we all breath a final breath. Faith is not necessarily about living forever, crossing the Jordan, if you like, but that is a component. It is very much about the now, how I live my life from day to day, where I place my trust, to whom do I look towards.
I wouldn't want any of Larkin's poems to be unwritten, just because I hold a different world view. Some of them are masterpieces.